Hello Everyone! My name is Zsofia Agoston, and I am a third-year student at Western University majoring in Anthropology and Museum/Curatorial Studies. This year I have been working as a Curatorial Assistant doing an array of jobs including cataloguing archaeological donations, overlooking our archaeological inventory, and maintaining our gallery and exhibition spaces. Prior to this role, I volunteered at the MOA since September of 2016. Read more
Written by MOA Exhibition Intern Joel Wodhams
What do you think of when you think “archaeologist?” Don’t try to be too correct. Have some fun. When I think of an archaeologist I cannot help but imagine an Indiana Jones-like figure: someone exploring jungles and deserts in search of mysteries from the ancient world. This isn’t what archaeology is today, but it is part of the undeniable charm and romance of archaeology. Read more
By Alicia Sherret
Remember that scene in Indiana Jones when you weren’t quite sure if Indy and Marion were going to escape from the snake filled temple in the Well of Souls? Well, there’s an archaeological site a little closer to home with the same secrets, surprises and religious past. While a visit to the Colony of Avalon at Ferryland, Newfoundland, might be a little shorter on action than an Indiana Jones movie, it’s got excitement and interest of its own.
By: Marissa Buckland
When people think of archaeology, they often think of box office hits like Indiana Jones and Lara Croft: Tomb Raider. These movies suggest that archaeological “treasures” can only be discovered in faraway lands such as the pyramids of Peru or the tombs of Cambodia, when in fact archaeological artifacts can be found right outside your back door here in Ontario!
About an hour north of Toronto are a series of archaeological sites near Wilcox Lake, on the Oak Ridges Moraine, located in Richmond Hill, that span most of the human history of Ontario. The TRCA (Toronto and Region Conservation Authority) began initial excavation of the Lost Brant site in 1992 and intensive excavations took place from 1999 – 2002, uncovering almost 10, 000 artifacts, including chert points and pieces of ceramic vessels.
Guest Blog By Joel Wodhams, Exhibit Intern Summer 2017
Canada’s 150th birthday is fast approaching, but did you know there is over 150 years of archaeology at the Lawson site? From its humble origins in the mid 1800s to its current day affiliation with the Museum of Ontario Archaeology and the University of Western Ontario, Lawson has captured the imagination of generations.
Archaeology evolves from the underlying human interest in the past. Archaeology is a modern practice, evolving since the 1800’s, but interest in the human past spans back hundreds of years.
At a time sometimes called the “Speculative Period,” early collectors created their own understandings of the past. The famous example in North America of this speculative period is the Moundbuilder myth: that the large burial mounds in the United States must have been built by an ancient civilization totally unrelated to the indigenous population.
By Emila Siwik
Could the world’s oldest dress be the coolest Archaeological discovery of 2016? Recent work by Alice Stevenson and Michael Dee shows that a dirty linen cloth excavated in 1913 by Sir Flinders Petrie is actually a dress. But not just any dress – the world’s oldest woven garment! The Tarkhan dress dates to around 3200 BC and was once worn by a female Egyptian teenager of royal descent. It was found in a First Dynasty Tomb south of Cairo and is made out of flax plants that were spun, then woven into linen. Linen was the fabric of choice in ancient Egypt; many people were wrapped in it during the mummification process and it was often given as a symbolic offering after death. The dress was tailored, meaning that it was not draped or tied to the body, but cut and fitted. It had a V-neck and pleated sleeves and bodice. Signs of wear at the elbow and armpits show that it was a beloved item worn often in life, then brought into the after world. It was placed in the tomb folded and inside out to allow the detail around the cuffs and neckline to stay intact through the years. Read more
By: Beth Compton
Web Hub: http://www.ourpresentpast.org/
If you’ve ever been really excited to go to a museum exhibition only to discover later that part or all of the display was made up of replicas, you’ll know that, for some reason, people tend to feel differently about the “real thing” than they do about the “copy” or the “fake.” People have fascinating relationships with things and their copies. Sometimes we don’t know or understand where our own impressions of authenticity come from, or why we feel better about certain modes of representation and replication than we do about others. While some might really enjoy looking at a 3D model of an artifact on a screen – zooming in to take a closer look, flipping it around to see its different sides – others might prefer seeing the original artifact in a glass case in a museum. Still others might prefer to hold a 3D printed replica, able to run their fingers over the surface of the object and heft it in their hand. A lot of this is pretty subjective. Read more
Interview with Anne from the +Positive Voice Program at Nokee Kwe
My name is Anne and I am a woman who was lucky and proud to have been a part of the +Positive Voice program. Over the seven weeks I spent with the program’s director Summer and the women, I can truly say was a positive experience.
I have seen many programs for aboriginal woman, but this is a program where I have seen aboriginal woman stand in front of me and praise one another. This is why I wanted to be a part of the second session of +Positive Voice.
On the first day of the program we were asked why we wanted to be in +Positive Voice and my answer was “I heard from the women of the first group it was good, and I want to find my independence and not just be a mom anymore. I want to find me”.
Summer explained everything to us, such as how the next seven weeks were to run and who our hopeful guests were to be. She was very coordinated, organized and excited about the second session and us. I can’t complain, I was pretty excited too. Read more
By: Amy St. John, PhD candidate in Anthropology, Western University
As an archaeologist, I believe we can access some of the day-to-day, face-to-face interactions of past people through the material culture they left behind. Ceramics are one of the most commonly found material culture types around the world and throughout time. There are many steps that go into ceramic making. Some of these include: gathering and refining clay; adding materials to that clay to make it more workable; forming that clay into a pot; then decorating, drying and firing that pot. Some of the steps in ceramic making, like exterior decoration, have been studied extensively by archaeologists trying to understand cultural connections in the past. Other steps, such as how people actually formed clay into pots, are more difficult to access. However, ethnographic evidence tells us that formation methods are often learned, passed on, and maintained across generations, even as more visible decorative techniques change over time. So how can we access how people were forming pots out of clay? Read more
Trained as both an archaeologist and computer animator, Michael has spent his professional career immersed in the creative, technical and business roles of animation and visual effects (VFX) film and broadcast production. Returning to his archaeology roots twenty years later, Michael’s research focuses on the use of Virtual Archaeology (VA) to better inform archaeological and heritage research, dissemination, and mobilization. His interest is in VA epistemology, paradata and the experiential application of technology for archaeological knowledge construction.