Technology is an integral part of our society. We spend countless hours checking our emails, browsing social media, and looking up ratings of places before we even visit them. We have the opportunity to connect with places across the world we may otherwise never have the opportunity to visit. The widespread accessibility of the internet allows museums the opportunity to present their collections online, making them more accessible and present within a wider community. With the quick advances in technology, it can be hard to stay up to date in the museum world. Online collections are one way of staying relevant with today’s technologically savvy generation. Read more
By: Beth Compton
Web Hub: http://www.ourpresentpast.org/
If you’ve ever been really excited to go to a museum exhibition only to discover later that part or all of the display was made up of replicas, you’ll know that, for some reason, people tend to feel differently about the “real thing” than they do about the “copy” or the “fake.” People have fascinating relationships with things and their copies. Sometimes we don’t know or understand where our own impressions of authenticity come from, or why we feel better about certain modes of representation and replication than we do about others. While some might really enjoy looking at a 3D model of an artifact on a screen – zooming in to take a closer look, flipping it around to see its different sides – others might prefer seeing the original artifact in a glass case in a museum. Still others might prefer to hold a 3D printed replica, able to run their fingers over the surface of the object and heft it in their hand. A lot of this is pretty subjective. Read more
Welcome to a brand-new year at the Museum of Ontario Archaeology! I am honoured to start my first full year as the new Executive Director at MOA, and I am excited about what 2017 has in store for us. I follow in the footsteps of some incredible people who have had the honour of directing this unique facility, the last of whom – Joan Kanigan – left a strong foundation of policy development and infrastructure renewal that will allow us to begin the first stages of our merger with Sustainable Archaeology, the research and curation facility next door. The integration of SA will allow us to incorporate new and interactive technologies into our galleries and classroom, highlighting some of the innovative archaeological research being done at this state-of-the-art facility. Read more
By: Amy St. John, PhD candidate in Anthropology, Western University
As an archaeologist, I believe we can access some of the day-to-day, face-to-face interactions of past people through the material culture they left behind. Ceramics are one of the most commonly found material culture types around the world and throughout time. There are many steps that go into ceramic making. Some of these include: gathering and refining clay; adding materials to that clay to make it more workable; forming that clay into a pot; then decorating, drying and firing that pot. Some of the steps in ceramic making, like exterior decoration, have been studied extensively by archaeologists trying to understand cultural connections in the past. Other steps, such as how people actually formed clay into pots, are more difficult to access. However, ethnographic evidence tells us that formation methods are often learned, passed on, and maintained across generations, even as more visible decorative techniques change over time. So how can we access how people were forming pots out of clay? Read more
Trained as both an archaeologist and computer animator, Michael has spent his professional career immersed in the creative, technical and business roles of animation and visual effects (VFX) film and broadcast production. Returning to his archaeology roots twenty years later, Michael’s research focuses on the use of Virtual Archaeology (VA) to better inform archaeological and heritage research, dissemination, and mobilization. His interest is in VA epistemology, paradata and the experiential application of technology for archaeological knowledge construction.
Elizabeth McConkey, a student in Western’s ANTHRO 2261 – Adventures in Pop Culture Archaeology, covered Kathleen Kenyon, an Archaeologist we would all benefit from knowing better.
Kathleen Kenyon, Archaeologist
Indiana Jones is one of the most well known movie franchises of all time. In the first installment of the series, with the Nazis hot on his trail, Indiana Jones (equipped with his whip, shotgun, satchel and fedora) sets out to uncover arguably the most significant archaeological find in all of history, the Ark of the Covenant. Despite having an affiliation with a museum and university, Indiana adds some unconventional aspects to the archaeologist’s job profile, such as gun fighting and hand to hand combat. Despite the image that popular culture provides, the truth is that real archaeologists are quite different from Harrison Ford’s character. For example, British archaeologist Dame Kathleen Kenyon could not seem further from this portrayal of an archaeologist. Kenyon was a significant British archaeologist in the 20th century, taking part in excavations all over the world. She might not have been involved in gun fighting and car chases, but her career was nothing short of extraordinary. Read more
Come celebrate MOA’s International Archaeological Day!
On October 15th, over 100 organisations across the world will be holding workshops, fairs, and lectures for International Archaeology Day. With only five years under its belt, this once National day held by the Archaeological Institute of America started from humble beginnings with only 14 participating institutions in the United States. You may be thinking, “why is this important to me?”
“International Archaeology Day is a celebration of archaeology and the thrill of discovery. Every October the AIA and archaeological organisations across the United States, Canada, and abroad present archaeological programs and activities for people of all ages and interests. Whether it is a family-friendly archaeology fair, a guided tour of a local archaeological site, a simulated dig, a lecture or a classroom visit from an archaeologist, the interactive, hands-on International Archaeology Day programs provide the chance to indulge your inner Indiana Jones.”
-AIA Website- Read more
In 1992, the Museum of Ontario Archaeology carried out a Stage 1/2 assessment of a proposed subdivision in Simcoe County that led to the discovery of a previously unknown Huron-Wendat village. This village was subsequently subject to Stage 3 and limited Stage 4 excavations carried out by another consultant, revealing an undisturbed fifteenth century village, which is now known as the Chase-Wesson site. Nineteenth and early twentieth century research by people such as archaeologist A.F. Hunter.and more recent investigations by cultural resource management firms have resulted in the documentation of hundreds of Huron-Wendat villages in Simcoe County (Williamson 2014). The founder of MOA, Wilfrid Jury, carried out exploratory excavations at a number of these sites in the 1940s through early 60s (see Stories of Pre-History: The Jury Family Legacies by Robert Pearce, our former Executive Director. Copies may be ordered from the Museum, where they are also on sale in our store.) Read more
Long before the creation of this blog, and before the digital Palisade E-Post, the museum sent out paper newsletters. First published in February 1979, each Palisade Post issue is a snapshot of what was happening in Ontario archaeology during this time, and is the basis of our Look Back series.
Underwater Archaeology in Ontario: An Overview
April 1982 Vol 4. No. 2 Author: Scarlett Janusas (ed note: Ms. Janusas was an intern at the museum at the time).
Underwater archaeologists share a common goal with treasure hunters and salvagers: each wants to bring to the surface that which the sea and other bodies of water have claimed. In all other respects, the similarities between these groups disappear.
Treasure hunters, as the label implies, occupy themselves with the removal of items for which monetary gains may be made. Occasionally, they may complete maps denoting positions of artifacts and other items of worth, but these maps at best, are just sketches employed for relocating the site for the sole purpose of continuing the pillage. Salvagers are even less concerned with recording and mapping. Their purpose is to haul up items which can later be sold for scrap metal. There is a time and profit incentive for both the treasure hunter and the salvager. Greater profits can be realized by spending less actual time on the site. Read more
Editor’s note: We’ll be sharing the Field School Experiences over the next weeks from students in the program. This week, meet Jeff Hardy.